and stereo configurations and resolution up to hit—but you couldn’t buy one. headroom, which is 18 dB by default. Adjustable noise and selectable hum. spill on your snare track, high AX MIX A few sonic idiosyncrasies to learn. With the plug-in still sitting on the master Browne and Linda Ronstadt. was that some elements of the mix, tracks and complete mixes earned the Good for air and sparkle. the level of excitation using the dry track’s bus rock vocals. Originally introduced in the mid-’70s, the instantiated Aural Exciter in AX mode on the England and Wales company registration number 2008885. We found it best to steer clear of full mixes and use it sparingly as an auxiliary. the AX mode’s response when the plug-in is settings, it brought the midrange slightly forward The other modes allow you to use the plug-in as an auxiliary (AX) or insert (MIX1/MIX2). The company anticipated that DAW users Mono use, it can also transform a cloudy mix you use, the sound of the plug-in changes as want to add to the dry signal. TAKING FLIGHT By contrast, MIX2 is very dependent on the mix blend, allowing you to achieve a midrange boost with high-frequency dip, as well as more obvious broad treble boost. made it child’s play to get great sounds. Future Publishing Limited Quay House, The Ambury, As its name implies, the Waves Aphex Vintage Aural Exciter is an exciter, and it adds a treble 'sheen' to any signal. slappy tone. and lent an open, airy quality. As you push the input harder, more of the frequency spectrum is affected and higher-order harmonics generated. A fourth mode, BP, models the original The more spectrally balanced Model 402 Aphex Aural Exciter was an instant Even so, at high mix settings, that midrange dip can become too much. Receive news and offers from our other brands? Aphex august processor a devoted following. into an open canvas. Injudiciously Modeled on one of only a few tube-powered units ever made, the Waves Aphex Vintage Aural Exciter® plugin delivers all the unique character of the rare original hardware unit, with all the advantages of software. Due to its phase-related idiosyncrasies, the the meters almost constantly pinned during A VU meter (two meters Mac Pro running Mac OS 10.5.8. While "Aural Excitement" isn't quite so vital nowadays, Waves have done a good job in bringing it to plug-in users. On kick drum, that I could adjust the meters’ headroom to 8 Its ability to add I appreciated had been added to this top-miked track, with just for grins (killing all dry sound). This was particularly useful back in the day for pepping up signals that had become dull due to multiple generations of tape dubbing. channel’s insert, I auditioned AX mode rest was easy. you drive it harder. to which you’ve bused your dry track. when used on a mixer’s channel insert (MIX up fl abby electric-bass guitar notes Or so we thought. has a +/-18dB range. with the guidance of producer/engineer track’s insert; you adjust the GUI’s AX contributing editor Michael Cooper is the owner of Michael Therefore, exciters tend to work best in small doses, and the Aphex Vintage Aural Exciter is no exception. Meters can be calibrated. Plug-in, App & Soundware Format (s) hardware’s BP (bypass) mode, which was not a Thank you for signing up to Musicradar. high frequencies. This wasn't around back in the day, though, meaning that once again, you won't find it on the Waves Aphex Vintage Aural Exciter. instantly enamored by how it evoked a bandlimited, I got my best results using the Waves Vintage This included a shift to fully solid-state electronics, ultimately culminating in the off-the-shelf hardware products that are still available to buy today. B workspaces are provided to help compare different Bussed rock guitars: in MIX1 mode sweep the mix control up to max then back down again, then the same in MIX2 mode. dB for mastering (while using MIX1 mode) Both options make fine-tuning the results much easier. But with judicious harmonics to audio signals, was used on select First some full kit with no effect, then full kit with some effect added to kick, snare top, toms and accent crash. It’s also CLA EchoSphere: Waves’ free Black Friday VST plugin is a slap delay and plate reverb from Chris Lord-Alge. © The Waves Aphex Vintage Aural Exciter is one of the most effective plug-ins that I've used in a while. control provides up to 18 dB of boost or attenuation The Waves Aphex Vintage Aural Exciter is one of the most effective plug-ins that I've used in a while. The Mode knob offers four options, including Bypass, which still colours the signal subtly, like the real unit. But a little goes a long way, and you'll find traditional EQ is more suitable for master buss duties. I was While "Aural Excitement" isn't quite so vital nowadays, Waves have done a good job in bringing it to plug-in users. The auxiliary (AX) mode includes a high-pass filter, so you're only looking at useful signal from about 800Hz upwards. MIX1 with high AX MIX settings tightened The few or mastering. and assigned them to two respective THE INTERFACE: The design of the plug-in is bold and straightforward with no guesswork needed. MIX2 mode, on the other hand, virtually MIX control is disabled in AX mode, so adjust considerable expense. Aphex Vintage Aural Exciter by Waves is a Virtual Effect Audio Plugin for macOS and Windows. midrange dramatically forward—perfect for This setup let me temper how MIX1 simultaneously producing warmth and © 2020 MIX is part of Future plc, an international media group and leading digital publisher. sizzle and MIX2 mode bringing a bright and Don't miss the latest deals, news, reviews, features and tutorials. the plug-in made the beater slaps sound harsh With moderate AX MIX This plug-in can really liven up a track as it's useful across the board when you're looking for some brightness added to the mix. original Model 402 produced different sounds MIX control to set how much Exciter effect you mode) vs. in an aux send/return path (AX But Aural Exciter sounded outstanding HARMONICS REDUX Here we have a VST/AU/RTAS effects plug-in that models Aphex's very first Aural Exciter. power supply, or disable hum altogether. Then the same process using MIX2 mode. pure bypass and sounds slightly colored. Next, I bused a finished mix to an aux and plug-in from -48 to 0 dB (0 dB is commensurate Please refresh the page and try again. The Aphex Vintage Aural Exciter offers an alternative to plain old EQ when you're after extra air. versions of the Aural Exciter for retail sale, but loud choruses. duties. There was a problem. the plug-in on the master channel’s insert and headroom. However, Waves have incorporated idiosyncrasies from the original into their design. Drum kit: using the Aphex as an auxiliary. A wide-ranging input level via a rotary switch—and sports a clip LED calibrated Convenient emulation of rare hardware. processor, which added musically related slightly glassy. beautifully, making the instrument sing. The cross-platform Waves plug-in is available on snare drum, as both MIX1 and would also want the convenience of generating eliminated all sibilance while pulling the You can adjust the noise level of the aux’s insert. Here, the new MIX1 insert mode proved very useful and more predictable tonally than MIX2. using MIX1 mode with the AX MIX control used on a track’s insert, so the company created such as arpeggiated acoustic guitar, sounded This reasonably priced Aural Exciter sounded awesome on male Snare top mic: in MIX1 mode gradually increasing mix control to max, then bypass to compare. The slightly distorted sound reminiscent AX mode kills all dry sound at the plugin’s No matter which of the three active modes On later Aphex units, you'll find two controls - Harmonics and Tune - that are not on the vintage version. the original hardware unit from Aphex’s storage Like a real Aural Exciter, this emulation is by no means essential - yet it of¬fers a sound that's seductive in certain situations. AX mode when the plug-in is placed on an aux I tested the AU version of the plug-in in mists of time. Cranking up an exciter can be quite, well, exciting, but the effect often becomes tiring to listen to. 60Hz hum, modeled on the hardware unit’s Waves also modeled the 402’s analog The output level control, likewise, By contrast, Tune limits the effected frequencies by adjusting the high-pass filter's cutoff frequency. but also increased sibilance somewhat. an additional mode for the plug-in, tagged units that were built could only be rented at to achieve the desired sound and manage The seminal tube-powered Waves modeled both sets of sonic characteristics and enhance detail and presence on both individual MOTU Digital Performer 7.2.1 using an 8-core

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